The 1st Ever Ethiopian at The Eurovision Song Contest

And he is the third member of the band “”, representing Armenia in the 2015 Eurovision Song Contest with “Don’t Deny.” Born and raised in Ethiopia, he will represent the continent of Africa in the project.

Vahe Tilbian is an Armenian-Ethiopian artist with an enthusiastic and bright character. He has a unique style: from rock to techno, from reggae to R&B, from Armenian to Ethiopian, and all that mixed with a lot of Latin music. This blend of cultures expresses Vahe’s personality and makes him stand out as an exclusive artist and a passionate dancer.

Genealogy will be uniting the new generation of Armenians spread through 5 continents (Europe, Asia, America, Africa, and Australia) around the world in the year of 1915. The group consists of 6 artists with Armenian origin – 6 destinies with 1 story.

An Armenian Artist from Africa

While Vahe was born and raised in Ethiopia both his parents are of Armenian origin. Vahe heard the call of the stage as a singer only after he graduated from University of British Columbia in Vancouver. After working in the business sector for over three years as a young college graduate, Vahe left his job in 2008 and started working in music full

He joined the band Z Beyaynetus and soon, Kenny Allen, performer and producer from DC residing in Ethiopia, heard him at one of the local bars and asked to sing backing vocals for his album release show with the 251 Band. Shortly afterwards Vahe decided to diversify his genre and repertoire joining a salsa band called Eshee Havana and worked on original remixes of Ethiopian songs into salsa music. In 2011 he reached the final auditions of Big Brother Africa.

Vahe wrote the lyrics to his first song called Life Or Something Like It in 2010. This gave him the enthusiasm and courage to write more songs. In November 2012 Vahe released his first album titled Mixology. In May of 2013 Vahe released Yene Tizita, a new rendition of the an old Ethiopian style of song.

A graduate of the Vancouver University, Canada, Vahe began demonstrating a serious interest in music upon obtaining his bachelor’s degrees in biology. He commenced as a senior tenor in the choir “The Motley Singers”.

The young singer’s first song, “Life or Something Like it”, was released in 2010. In 2012, his single “Don’t Stop” won the third place in the Armenian Pulse Music Award.

Later the same year, he completed the disc “Mixology” which was released for free.

In 2013, the singer released the song Yene Tizita (Nostalgia or Memories), which was a reproduced version of an old Ethiopian prototype. Its director and producer are Aramazd Kalajian and Mulugeta Amaru.

For the past two years, Vahe has been the soloist of Zemen Band. He has collaborated with singers Zeritu Kebede and Michael Belayneh, and the Nubian Arc Band. The ethnic Armenian singer has also been a back vocalist and first concert performer for Abby Lakew, Nhatty, Tsedenya Gebremarkos, Eyob Mekonnen and Shewandagn Hailu. He has performed concerts with Oliver Mtukudzi and Vee and Liz Ogumbo during tours in Ethiopia.

Vahe has been a correspondent for the Ethiopia-based Zoma Magazine; he can freely expresses his thoughts in Armenian, English, Amharic, Italian and French.

The young singer now intends to release two more discs, of which one will be completely Armenian, while the other will feature the Ethiopian musical culture, at the same time presenting a mix of equivalent elements.

The Eurovision 2016 semifinals are due on May 19 and 21. The final concert will take place on May 23.

—Keeping Up With The Kardashians circa 1900! How Kim’s ancestors heeded prophet’s warning of looming slaughter to escape rural Armenia for a new life in the U.S.

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Remembering the Armenians of Ethiopia

At the beginning of March, a Requiem was offered for my parents and for the Sevadjian clan, and it transported me back 40 years to when I had last been to a service in the magnificent church of my childhood: the St. George Armenian Apostolic Church in Addis Ababa, Ethiopia.

The church and the cross on its dome stood out against a perfect blue sky. I went in and lit a candle. The altar curtain was pulled across as it was Lent. I looked up at the azure ceiling and the chandeliers. Light was streaming through the stained glass windows into the chorister’s gallery. It was a moving and beautiful experience. The sonorous tones of Vartkes Nalbandian and the clear soprano of Salpi Nalbandian made me very emotional. It was not possible to have a full Badarak as Vartkes is a deacon, and there is no longer an Armenian priest in residence in Ethiopia.

I stood and listened and prayed. I thought of all the Yetovbahayer who had prayed in that church, who had made up the richest and most vibrant foreign community in Ethiopia, their numbers now dwindled to less than 100 souls. Philanthropists, industrialists, businessmen, talented men and women, and most of all, artisans, artisans, and more artisans. What a great number of them there were!

Boghos Markarian, who arrived in 1866 and supplied goods and arms to the courts of Emperor Yohannes and later Emperor Menelik II, was one of the first Armenians to settle in Ethiopia in modern times. By the late 1960’s, the Armenians numbered some 1,200.

There had been Armenians in Ethiopia long, long before then, as early as the 13th century, but a real community with significant numbers was only established in the early 1900’s when many left their ancestral homes in the Ottoman Empire and found a safe haven in Christian Ethiopia. Another wave of Armenians arrived in the 1920’s. Thereafter the numbers increased as people married, invited cousins and other relatives to join them from wherever they had ended up—mostly Syria and Lebanon—after the genocide.

The Armenians who settled in Ethiopia before the 1920’s, and those who arrived after 1945, were mostly well educated; they were doctors, dentists, chemists, architects, engineers, lawyers, and accountants. Many of those who arrived in the 1920’s as a direct consequence of the genocide were artisans; they were tailors, watchmakers, cobblers, and carpet makers. Thus in almost every trade, profession, and industry, there were Armenians in Addis Ababa. They had come from a very wide area of the Ottoman Empire and brought with them the special expertise of their hometowns.

Addis Ababa boasted a large number of remarkably skilled jewelers. One of the first was Dikran Ebeyan, who had arrived from Constantinople. He had the distinction of making the coronation crowns of Emperors Yohannes in 1881 and Menelik II in 1889.

Should you visit any jewelry shop in Addis Ababa today, you will see filigree work in gold and silver. This skill was introduced and taught to Ethiopian artisans by Armenian craftsmen.

A visit to the Armenian cemetery gives an idea of the origins of the three major waves of Armenian immigrants, mirroring the tragedies that befell their homeland: First came those from Constantinople, Aintab, Arapkir, Kharpert; then Adana and Van; then Marash, Sparta, and Smyrna.

It is difficult to overestimate the contribution that Armenians made in their 100 years in Ethiopia. Armenians moved with Emperor Menelik II from Harar to Addis Ababa and helped build a modern capital city. There is not enough space here to describe all their important and lasting contributions, in trade, industry, and government, but a few must be mentioned as they are truly exceptional.

Firstly, there were two great philanthropists whose legacies live on today. One was Mihran Mouradian, a merchant, who built the church that was consecrated in 1935. The other was Matig Kevorkoff, who in 1923 built a modern school to unite the two schools that had previously divided the community. Kevorkoff was a French citizen who grew up in Egypt and moved to Djibouti at the age of 29 to pursue a highly successful career as a merchant of tobacco and other commodities. During the fascist occupation of Ethiopia (1936-41), because of his French nationality, all of his assets were confiscated by the Italians as “enemy property.” Kevorkoff died in penury in Marseille in the early 1950’s.

Among a number of amusing stories of the arbitrary ways Armenians ended up in Ethiopia is that of the Darakdjians. Stepan Darakdjian left Kharpert in 1912 and made his way to Egypt, hoping to immigrate to America. A requirement for a visa to America was an examination for trachoma. While waiting to be seen by the eye doctor, he went to an Armenian cafe, where he fell into conversation with a man named Hovhannes Assadourian, who had just returned from Ethiopia. Assadourian said, “You are a tanner. Why go to America? Go to Ethiopia where they need shoes!” So Stepan Darakdjian made his way to Harar and set up a tannery in partnership with another Armenian called Karikian. Later on, his son, Mardiros, moved to Addis Ababa where he founded a modern tannery in Akaki and a shoe factory called Darmar (Darakdjian Mardiros). Later still, he branched out into many other businesses and became very wealthy. The factory and shops still exist with the old sign of a lion (which looks very much like the Metro Goldwyn Mayer one), but the shops are now called Ambassa (lion).

Two of the earliest settlers, Hovsep Behesnilian and Sarkis Terzian, made their fortunes by supplying arms to Emperor Menelik II during his 1896 war against the invading Italians. The Behesnilian name lives on in perhaps the largest and most successful conglomerate in Ethiopia, HAGBES, founded by Hovsep’s nephew, Hagop Behesnilian, still privately owned, and employing some 1,000 people.

Continue reading…

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